Monday, 29 December 2014

Monday Night Thoughts: Next Bob Marley of Rap

"I know I wanna get my songs on iTunes
Then see the world
Then write new music
That feeds the world
I’m not black enough to go back to Africa
Fast enough
Decaffeinated on the grounds of a massacre
It’s like that for real
Nightcap, right back to my record deal
I wanna help people
I wanna be rich
I wanna be the Bob Marley of this
Rap music"

- Paradise by Noname Gypsy

I was listening to some Noname Gypsy the other day and there was a line that stood out to me. In 'Paradise' Noname spits about hoping to one day become "the Bob Marley of this rap music."

I've listened to this track a countless number of times but this was the first time the line actually resonated and sparked some thought. I've been pondering on it and there's been one thought circling my mind for days on end: with all of the Nas', Tupacs, Mos Defs, Jay Zs, Kanyes, Gurus and Biggies of the culture; is there still an open place available for somebody to be the Bob Marley of rap? I'm not decoding the line nor is this opinion piece meant to be circling that specific line (because it's obvious she just meant she wants to be influential). All it's doing is serving as a base for discussion to build upon. The Hip Hop culture is continually growing and evolving and over the years there's an unbelievable amount  of pioneers that contributed, ultimately forming the Hip Hop that we have right now. It's interesting to think about how so many changes have taken place and so many people's lives have been affected along the way. I personally think that although it might be very difficult, it's more than possible for there to be room for more legends within this diversifying culture.

I'm putting the queston forward to you - let me know what you think about this..

Is it still possible for people to influence the Hip Hop community even more or have our role models come and gone?

Peace, love and Hip Hop
KTTIB x

Friday, 26 December 2014

Saturday Morning Thoughts: Counting Rappers; Not Sheep

"Haha alright cool" I said trying to return to our initial topic. "So what do you think one of the biggest problems in Hip Hop is today?"
"Well..." Ahmed replied taking a long moment to think to which he finally answered "EVERYBODY WANTS TO BE A RAPPER!"

Good morning HipHoppas and influencees! 

While working on an upcoming video, I came across this interview with Ahmed in the archives. One of the first interviews I've ever done. It's true. Whether its the notorious Twitter rappers DMing you to check out their low quality Soundcloud and tweeting you links to their poorly funded music videos, or if it's the high school rapper asking you to put a link to his track on your Facebook; everyone wants to be a rapper and it's slowly getting to the point that the good rap is being difficult to find because it's so deeply lost in all of the pop-saturated, generic, bubble gum rap being produced right now. It's actually already gotten to that point I think.

I'm not mad that everyone wants to be a rapper - at the end of the day that's more music for me - I'm mad at the fact that half of the people pursuing such a career aren't talented nor are they educated in the art of rap. We can't have a clown representing us. I'm working on the third Hip Hop Video Diary and one of the issues the hip hop headz discuss in it is whether the Hip Hop culture is being respected. All said no. Among the obvious reasons being the misconceptions surrounding areas such as "Hip Hop being solely misogynistic" and such, came another perspective: people don't respect Hip Hop because the people that are put forward to represent our culture don't respect it either and are nowhere near what the representative should actually be like. You have people like Weezy that unfortunately are the first image that comes to mind when people that aren't apart of Hip Hop think about when looking at Hip Hop.

Too many times I've found myself trying to compile a list of my top ten commercial rappers and end up stopping at five or six rappers (Kendrick, Drake, J. Cole, etc.) saying "We don't actually have that many rappers.." because I battle to find anyone that's actually murdering the charts and really speaking sense at the same time. I'm not expecting the radios to play Immortal Technique because we all know the deal with radios and the type tracks that they play on rotation but if they're going to put out rappers can they at least have SOMETHING to say? I do aknowledge that the mere fact that there are so many rappers is an indication of the growth of Hip Hop but I'm tired of passing every corner and bumping into a rapper. I want quality, not quantity.

What's your view on this? Let me know...

Peace, love and Hip Hop
KTTIB x

Wednesday, 17 December 2014

2014 South African Hip Hop Awards Predictions

So tonight all roads lead to Gold Reef City as South African hip hop headz from all corners of the country come together to celebrate our underdog or overlooked and under-appreciated genre and culture. Wish I could be attending this year but from what I've heard, ETV's got us covered! This year has easily been my favourite year for our Hip Hop culture mainly because I only began getting hecticly involved in the local side of the culture this year, which I've learned has too much potential to even fathom! Good luck to all of the kats nominated (some of which I got the privellage to interview and get to know very well) and I hope you guys keep honouring Hip Hop the way you do! Hats off to the awards organisers as well. It's beautiful seeing Hip Hop growing in South Africa...

With the growing in social media platforms, it would be dope seeing a Best Hip Hop Blog category being introduced (nudge-nudge, hint-hint). There are so many. From Heavy Wordz to Bitches Know The Blog to The Influence I think our work and contribution to the culture should be recognised.

I made a little prediction list of who I think will win (based on their fan base size) and also who I think deserves to win (based on my personal views).

ALBUM OF THE YEAR:
AKA - Levels

PRODUCER OF THE YEAR:
Ganja Beats

HUSTLER OF THE YEAR:
Cassper Nyovest

BEST INTERNATIONAL BRAND:
Sprite

BEST LOCAL BRAND:
Butan

SONG OF THE YEAR:
Cassper Nyovest - Doc Shebeleza 

BEST DANCE CREW:
Freeze Frame    

BEST COLLABORATION:
Riky Rick - Amantombazane remix ft. DJ  Dimplez, Kid X, Kwesta, Maggz, Ginger Breadman and Nadia Nakai

DJ OF THE YEAR:
DJ Dimplez

BEST FRESHMAN:
Solo

BEST MIXTAPE OF THE YEAR:
Fratpack - Famlove

MOST VALUABLE ARTIST:
Reason                                          

VIDEO OF THE YEAR:
AKA - Congratulate

BEST GRAFFITI ARTIST:
Mars

BEST MALE:
Cassper Nyovest

BEST FEMALE:
Gigi LaMayne

BEST LYRICIST:
Solo

BEST PROMOTER:
HomeComing Picnic        

BEST HIP HOP RADIO SHOW:
16 Bars Reloaded on UJFM

KING OF GAUTENG:
DJ Dimplez 

KING OF MPUMALANGA:
Mfundo Nyambi

KING OF WESTERN CAPE:
Uno July

KING OF NORTHERN CAPE:
Lebogang “The Verdict” Magagane

KING OF KWA ZULU-NATAL:
Brian Khoza

KING OF EASTERN CAPE:
Yahkeem Ben Israel 

KING OF LIMPOPO:
Culprit

KING OF NORTH WEST:
DJ Lemonka

Wednesday, 10 December 2014

14 Signs That You're a Hip Hop Head

1. The Grammys annoy you.

2. MTV annoys you.

3. The radio annoys you.

4. You miss the Black Eyed Peas.

5. AKA is a disappointment. (He's good but you know he could be more)

6. You get offended whenever sombody says that they don't like rap.

7. Somewhere in your lifetime you've had cornrows.

8. Waiting on Detox has given you trust issues.

9. Biggie is the best rapper of all time... I mean Tupac - I mean Biggie - I mean...

10. Lil Wayne stopped releasing music after Tha Carter III.

11.It took Drake two albums to prove to you that he has BARS!

12. You can recite ten Jay-Z and Eminem tracks from memory.

13. You shed a tear every-time you listen to Song Cry or Stan

14. Complete the following sentence: "If you want beef then bring the ruckus _____________________________"




Guest post by Nkululeko Tselane

Thursday, 4 December 2014

Top 10 Releases of 2014


2014 was a pretty good year for rap. Many rises and many disappointments. Before I start, I just wanna put it out there that rap is subjective (I think you can see where I’m going with this) and there were a whole bunch of other projects that (at the time that I heard them) I thought would make my list like the Clockwork Indigo EP, Fratpack’s FAM LOVE, Bishop Nehru and Dizzy Wright’s Stolen Youth, Curly Castro’s FIDEL, Pro Era’s The Shift and Chris Crack’s #TREESWAG amongst SO many more. But, when actually comparing them and compiling a Top 10 list, they actually didn’t. So, with that being said, hit me up about how you feel and if you think something should or shouldn’t be on the list. Feel free to ask me any questions about the list yo! We like opinions…

10. ScHoolboy Q – Oxymoron

9. Logic – Under Pressure

8.  Illy Amin – Straight Outta Grimetown

7.  J. Cole –2014 Forest Hills Drive

6. Domo Genesis - Under the Influence 2

5. Mick Jenkins – The Water[s]

4.  Big K.R.I.T – Cadillacta

3. CyHi Da Prince – Black Hystori Project

2. Isaiah Rashad – Cilvia Demo

1. Mac Miller - Faces

J. Cole - 2014 Forest Hills Drive Album Review


First off, I just wanna say that the hype for this album was unnecessary and a slight let down when actually listening to the album. Forest Hills Drive was leaked, which is always unfortunate for rappers – especially when such hard work was put into the project. But such is life and a part of the game and industry that you entered, my nigga! Before writing a review I always make sure I listen to the project twice. The first time just to see how I feel and the second time so that I can be sure I know exactly how I feel and don’t necessarily get anything imposed on me. The first time I listened to Forest Hills Drive I was actually pretty disappointed. Halfway through I felt like I was listening to Friday Night Lights and saw nothing special about this. It was only from A Tale of 2 Citiez that things started warming up and going uphill. Long story short – The second time I listened to the album over, I had a whole new perspective and enjoyed very second of it. With J. Cole’s soulful melodies carried throughout the album along with his nice flows, dirty delivery and sexy punchlines, Forest Hills Drive is a great way to end the year of rap. The album starts off quite laid back, with typical Friday Night Lights/The Warm Up vibes to it. The tempo gradually picks up and by G.O.M.D we’re knee-deep in hard bass, surprising flows and sick punchlines being thrown in all directions. Everything then slows down once again at Hello as we calm down to vibe with Jermaine once again as he nostalgically spits. In terms of content, I will be a bit blunt and say that there’s literally nothing new to see here. If you’ve listened to Friday Night Lights, Truly Yours and Born Sinner (or any other three J. Cole projects) then you’ve more or less already heard what he’s rapping about. As he says in 0’3 Adolesnece, “move along, nothing to see…” But this isn’t to say its not dope though! As mentioned earlier, the amount of hard work put into this album definitely comes thorugh. Some of my favourite tracks would have to be A Tale of 2 Citiez, G.O.M.D, Fire Squad,  No Role Modelz and the 14 miunte long outro Note To Self. Touching on things about his mother and brothers; the harsh reality of being a dreamer in such a cold world; the brutality of society; fucking bitches and just being Jermaine Cole, J. Cole delivered quite a good album that can go down as one of the top releases of the year. It’s position is debatable though. It feels like it’s been a minute since we last had something new from J. Cole so it’s dope having some new stuff to vibe out to. Thanks, J. Cole!

Content:  1.5/3

Production: 2 /3

Lyrics: 3/4

Total: 6.5/10

 

Illy Amin - Straight Outta Grimetown Mixtape Review


Earlier this year I started gaining a hectic interest in the rap collective straight out of my home citaaay Joburg, REVIVOLUTION! Along with this interest came an interest in one of the members – Illy Amin! Illy Amin takes us on a journey through the rap game in SA as he explores interesting flows and beats that aren’t too common to our rap industry. Straight Outta Grimetown is easily in my Top 10 mixtapes released this year firstly because of its relevance to me and other Joburg rap appreciators, and secondly because of the insane punchlines that and flows that I really wasn't expecting at all! Illy easily delivered some of the illest (see what I did there?) punchlines I’ve heard this entire year. Some of my favourite tracks would have Redbull Music Academy Session, Ric Flair, On My Soul and Pimp Pimp Hooray. A really dope mixtape that birthed new fans and rap appreciators not just in the city of gold but nationwide!

Content: 3/3

Production: 1/3

Lyrics: 3/4

Total:  7/10

Wednesday, 12 November 2014

Domo Genesis - Under The Influence 2

Quite a late post because I've been focusing on my exams lately but I have a free afternoon today so I only got 'round to listening to the mixtape now. Domo Genesis. Quite a slept on dude if you ask me. The main time I listen to Domo is when he's featured on anything Odd Future and to be honest I've never been astonished or really amazed - I always thought he was quite average. Lyrically, yes he is quite average but this mixtape is VERY easily chilling somewhere in my Top 10 Mixtapes of 2014. Easily. The mixtape is 14 songs deep ranging from tracks that make you wanna vibe out on a late night car ride home to tracks that make you wanna get up and face Eminem in a rap battle because your confidence is on 100.

Under The Influence 2 starts off with Preamble, an intro into the project with Left Brain just letting his mind drift as he talks (or "verbally stimulates" as he calls it) about Under The Influence 2 over a laid back beat. The tape then goes into 'Doms in Vegas' with a continuation of the previous beat where he spits about how hard he goes in rap and ends in a skit of Bernie Mac from House Party 3. After this the mixtape takes us uphill into one of the best tracks on the project 'The Most Subtle Flex Ever' where he drops hot flows over a Brown Sugar sample that was made famous by D'Angelo which then goes into a conversation. This is followed by 'The Return' with L-Boy talking over the Careless Whisper instrumental. '24 Hour Spitness' follows with a really dope 90s, East Coast feeling beat. After this we hear a feature from IamSu! on 'Go Outside' another beautiful track with some rain to add to the effect of the overall track. Now on the next track was where I had my "woah this mixtape is fire!" moment. 'Rare Form Doms' starts off with Mike Tyson talking about the psychological factor to winning a fight and how his confidence was basically on 100 which then swiftly goes into a sample from Drake's 'Wu-Tang Forever' beat where Domo goes HAM to say the very least! A track packed tight with punchlines both borrowed and original. After this everything cools down a bit with a melancholic 'Follow Me' featuring Tay Walker. The track was produced by Left Brain so it's dope getting a bit more of that Odd Future love on the mixtape. 'This Is 15 Bars I May Be Wrong I Gotta See' is the next track on the mixtape which features mixtape of the year candidate Mac Miller! Another slightly melancholic Left Brain production on 'Full Moon' followed by another hardcore punchline filled track on 'X' with another classic boombap hip-hop sound. We see some more Odd Future on 'Sundance Kids' with Hodgy Beats hitting some nice punchlines with Dom rapping about how they're targeted (but feared) and will basically put to shame anyone that tries challenge them. Simple. The second last track on the mixtape 'STRICTLY4MYNIGGAZ' follows, which is then followed by 'Burn outro'.

The samples. The beats. The verses (quite a few elementary though). Domo Genesis impressed a lot of Hip Hop heads that hadn't really paid much attention to him as a solo rapper as well as those that have loved him from day one. Every track has something that makes it really dope and stand out from the rest. In all seriousness though, if you havent heard Under The Influence 2 you really need to. It's of a stellar quality and, as mentioned earlier, it's in the running to be one of the best mixtapes released this year in my opinion. Well done Doms!

Rating: 8/10

Wednesday, 22 October 2014

Logic - Under Pressure Review

Since talks of the album began I've been anticipating the release of this project, not only because it's Logic's first album but because it's been a while since he gave us a new project. Logic didn't leave us completely desolate though, during the course of the year he released singles in anticipation of the album such as 'While You Wait'. The title is pretty self explanatory and the track is basically something that kept us hype while we waited for the release of the full album. I remember when I first found out about Logic I watched some interviews to try get a sense of who exactly the man behind the mic was even though it comes through quite clearly in his rhymes too. In one of the interviews Logic talked about how some of his fans commended him for the quality of his Young Sinatra trilogy mixtapes and how some even insisted on paying him for them! This was no doubt a feeling I could relate to. In fact, one of the driving forces that kept The Influence going was Logic's 'World Wide' which captured not just his global affect but Hip Hop's too. With all of that wit coming through in his raps and definitely in his skits, it's quite seldom that you come across a very underground rapper with mixtapes of that quality; the lyricism and production in a unanimously dope frequency. So, having gotten over the excitement for my highest anticipated release of the year, I got the album and indulged.

The Under Pressure Program, as the album's "tour guide" Thalia addresses it, starts off with a dope intro where he talks about wondering in the past what the life that he's currently living would feel like. One of the most interesting things about the album I'd say is Thalia and the facts and commentry she gives (such as "Making a single before an album is like putting together a trailer for a movie you have yet to shoot.")  between almost every track which brings the piece of art together quite well. It makes the whole journey through Under Pressure a lot more fun.

After the intro, the album goes into Soul Food which starts off as quite a laid back track then makes the transition into hardcore, typical Logic punchline filled verses with lines like "I swear this music in my genes like denim. Lyricism seeping in like vemin".

From here we're taken through 'I'm Gone' which is a another chilled out laid back one with some beautiful lyricism followed by 'Gang Related', 'Buried Alive', and 'Bounce'.

After Bounce we come to something every Bobby Soxer and member of the Ratt Pack loves: GROWING PAINS III! Logic has been taking his listener on this Growing Pains journey and this one is really, very easily my favourite one. It starts off with a conversation and makes the transition into the track where Logic goes, as per usual, spitting bars about his life and the trials we all face daily.

From here Thalia takes us into 'Never Enough' which is followed by 'Metropolis' and then what seems to be, judging by the tweets on my timeline, already a Ratt Pack favourite Nikki. Nikki, accompanied by a more melancholic beat and a different kind of sound, brings the whole album and the listener down for a little bit to vibe with Logic as he spits about his love/hate (mostly love) relationship with nicotine. One of my favourite Logic tracks by far. The true poet and artist in him comes alive here.

'Under Pressure' is a 9 minute track, not something we see too often from a solo rapper, about the pressures Logic faces trying to make the dreams he has come true. Another gem.

In 'Till The End' we see another Logic track packed full with punchlines and the whole idea of being unstoppable in his craft and how he's come so far in his career. For me it has quite a dope similarity to '925' on one of his previous mixtapes.

After the conclusion from Thalia, Childish Gambino assists Logic with a dope feature on 'Driving Ms Daisy', an upbeat track. This welcomes the deluxe edition of the album.

"Fucking with me now? FUCKING WITH ME NOW?" We see something quite common that we get from underground artists that start making it big come in 'Now'. Logic addresses the fact that everybody is bumping him now when before they weren't. Quite a dope one.

The deluxe edition album ends with a feature from Big Sean on 'Alright' which is one of the tracks that was released during the course of the year. I see some similarities between Logic and Big Sean when looking at their rises and passion for rap; so this feature is one of the best ways to end the album for me personally. The two worked well together and brought the album to a close quite well.

Through Young Sinatra: Welcome to Forever, Young Sinatra: Undeniable and Young Sinatra, this is definitely an album to be proud of on Logic's part and for the Ratt Pack and Bobby Soxer's like myslef, it's definitely an album to cop as soon as possible. Really happy for Logic. It's really bittersweet to see an underground rapper you've been supporting finally releasing their debut album. Excited for the progress and that the grind has paid off but a bit sour that the climb might be coming to an end soon. Literally nothing I'd wanna change about Under Pressure. Thanks for bringing us such a lyrically dope and sonically pleasing album, Logic! Keep making that Ratt Pack proud, boi!


Rating: 8/10

Tuesday, 9 September 2014

Bishop Nehru : The Calm Before the Storm

"He know that theres crack in my
Tracks when I rap, people clap and react fast
Because they know that Nehru and this rap shit is gonna last
It's the fact that Im everything that you lack, nigga you wack
Don't act like I ain't murder these rappers with one track
The lights leak, the bright peak, start of the show
Now I got you, and your whole front row at my show"

- Bishop Nehru.

Its embarrassing for me to admit this but I only came across him this year when I saw somebody tweet about Exhale off of Strictly Flowz. I gave the joint a listen, really, really dug it and very soon found myself running into Her Ballad off of Nehruvia which began the progression into this state that I'm currently in right now (some call it a 'fan girl'). I was hooked and I've been listening to him religiously ever since. Okay, now I don't know whether it's the Hip Hop head within me or if it's the sixteen year old girl I am speaking right now but I love Bishop Nehru and would quite easily put him in my top 5 rappers making moves right now. Apart from his soul shaking flows, the homie has an undeniable talent for this rap shit that really can't be ignored. He's gifted. That's the only way to put it. We can talk about his hard work and determination to be great and give rap fans some lyrical beauty, but let's keep in mind that Nehruvia was made when Emperor Nehru was just fifteen. At the same time, there were kats probably double his age struggling to deliver a single dope sixteen-bar verse. So for Bishop to posess such a raw skill must mean nothing but that not only has he learnt about the art of rap but that he was blessed with this gift. Now I know this seems like a post straight up just praising Bishop, but what I'm trying to do is get to what many people (from what I've seen) are constantly arguing about: does it take skill or knowledge to be a great rapper and to put my two cents in, I'm gonna say it's straight up a combo of the two. In very recent years, we've come across some seriously skilled rappers that didn’t really reach their full potential because they lacked either passion for hip-hop music or had no knowledge on not just the industry but the culture itself. I think knowing the culture really is the basis for anything you do in Hip Hop, then you can work your way up from there. For some people, the skill comes naturally and for others a little bit more work needs to be done. Bishop Nehru is one of the best modern day example of a rapper having having a gift for rapping and a clear knowledge and respect for Hip Hop. At such a young age, he's already caught the hearts of many fans and gained the respect of many HipHoppas. Its exciting for me that most of the homies I listen to are no longer 10 or more years older than me but that now people my age are becoming leaders in some of the hip-hop being produced right now. Bishop Nehru has begun building a long lasting impact on the Hip Hop culture which will hopefully see him acquiring legendary status in later years.

"And word is bond, I rather bomb word vapour from bongs"